Toomorrow

Having scene The Apple, I was braced for awfulness, but this makes The Apple seem like Kurosawa by comparison. Production value is slightly above Ray Dennis Steckler, but entertainment value is exactly identical. And I mean that no matter what your taste -- if it's a satisfying artistic experience or a warm feeling of diversion you're looking for, this will completely dissatisfy. If you prefer sitting in slack-jaw disbelief at the lack of talent -- writing, directing, acting, song composition, storyline, art direction, really any cinematic criterion at all -- this is for you. Plus gratuitous Margaret Nolan.